Design Post Update

This past weekend offered beautiful fall weather, perfect for our Mid-Atlantic ICAA tour of Dumbarton Oaks arranged by landscape architect and boardmember Jennifer Horn.
Dumbarton Oaks has been owned by Harvard University since the early 1940s and hosts a number of their graduate programs on campus.  Sections of the famous gardens are open to the public and their renowned museum has a separate entrance on 32nd street NW.
Although much changed and constantly evolving, the gardens are the the work of famous landscape designer Beatrix Farrand, seen in the portrait above.
Unfortunately the house is undergoing some renovation work (roof and some structure being replaced) so scaffolding covered the neo-Georgian facade. You can see photos of the house at my earlier post from 2009 HERE.
The library is housed in the wing seen above designed by Thomas Waterman -a really spectacular period room in which one can study the antique landscape books in an elegant setting.
This grotto is only one of the many charming spots to be found throughout the gardens. The modern balustrade is very plain-jane compared to others found throughout the property but I suppose it meets code (most ugly railings do).
One of the best parts of attending the ICAA tours (everyone is welcome btw!) is that you get an opportunity to see many behind the scenes areas not open to the general public.
I had never seen most of the campus before and was thrilled with many of the original structures like the green house above, where plants are still grown for the gardens. The brick structure in the center was originally designed to be the library until someone came to their senses and realized antique books and water don't mix!
Washington is enjoying a spectacular fall this year which doesn't often happen. So often I feel we move directly from summer into winter.
 Many of the older structures such as the garage above have been wonderfully preserved on the exterior while the interiors have been unfortunately gutted and rebuilt in an institutional manner. Don't even ask about some of the modern buildings I'm not showing here and other work done on campus by architectural firm Robert Venturi - the less said there the better ( # inappropriate, # generic, # ugly ).
Many of us architects marveled at the lovely back door above - nicer than the front doors on many houses! Also notice the intricate brick paving patterns designed by Farrand.
The use of ornate brick and stone walls throughout the hilly, terraced gardens is one of my favorite aspects.
 While these are special details, they are to be found throughout the entire property.
Above is one of the many railing designs by Farrand - this may not meet modern day codes but is none-the-less pleasing to the eye.
Even the simple wooden garden bench above has lovely details; notice the scrolled bracket to the sides.
Inside the museum there are more wonderful treasures to check out. I particularly like the antique byzantine mosaics which are built into the flooring. The rather strange addition by Phillip Johnson, celebrating its 50th birthday, is growing on me and is a great example of marrying a modern addition to a classical structure (Robert Venturi take note!). Please join the ICAA on our next adventures and be sure to check out Dumbarton Oaks while in Washington, you won't be disappointed!

This past weekend was the annual Embassy open house (Passport DC) and I headed straight for the Embassy of Brazil. Not because I love Caipirinhas but because the mansion was designed by master Architect John Russell Pope for Robert McCormick in 1911.
Here is the house as it appeared in 1911 after completion back when this area of 'embassy row' was nothing but farmland outside of the city. The house has a unique siting on a triangular lot which creates a very grand entry sequence from Massachusetts Avenue.  I think that is what has always intrigued me about this Italian High Renaissance styled Villa, so I was excited to finally get a chance to get in (along with 1,000s of other curious Washingtonians!).
The vintage photograph and these floorplans come from one of my favorite books which I've mentioned before: Mastering Tradition, the Residential Architecture of John Russell Pope by James B. Garrison.  As with all Italian Villas the house has a piano nobile plan, ideal for the city with cars whizzing by on Massachusetts Avenue (on the right hand side of the plans).
The rooms are spacious but the plan is more of a house than a large mansion. Notice how the public spaces are kept very separate from the private spaces. In order to access the upper levels where the bedrooms and family quarters are, one has to go up a tiny side stair which at first glance of the plan appears to be for servants. This is why houses like this become great embassies! Ambassadorial duties can be performed downstairs with the family housed in their own private apartment out of the way.
True to any Pope designed structure the limestone facade is a very cleaned up form of Classicism. This simple classicism inspired some of the best works of the early 20th century.
Every detail is carefully planned and thought out. Notice how the watertable which runs around the entire building (the limestone ledge) runs past the basement window well, not disturbing the line.
The house appears exactly the same as it did in 1911, down to the shutters on the bedroom level.
These marble bowls of fruit were found throughout the gardens, dozens and dozens of them. A sign of hospitality perhaps?
The details are incredible -all done in limestone.
I love the ball detail where the metal bars intersect.
The planting has become full and lush lending privacy to the house which is on a very exposed site.
This side porch off the library is where Mr. McCormick planned on smoking his cigars. Unfortunately he didn't live long in the house before passing but his wife remained until 1932. After her death it was sold to the Government of Brazil, including all of the contents, so that it retains a lot of the original furnishings.
Brazil has been an excellent caretaker for this beautiful house!
Now shall we go inside for a peak of the public spaces?
The interiors are eclectic and range from a number of periods, typical of many houses of the time.
The beautiful plasterwork in the entry and the faux painted walls continue up the grand marble staircase to the public rooms.
Even the stair niche has niches! I wonder if they ever held anything? The vase is probably 6'-0" tall.
Here you can see how the stair-rail dies into the wall -a rather odd detail but it works and is executed very neatly.
The elevator door features this charming little porthole. I had never seen something like that before other than on a service door.
The ornamental plasterwork continues on this level.
Everything clean and tidy -amazing for a house that is over 100 years old and in public service.
A close up of the faux painted plaster walls -painted to resemble stone blocks.
These lovely sconces light the stair landing.
The main salon measures 60' long and 25' across -an amazing room for entertaining!
Check out those amazing chandeliers and again all of the crisp ornamental plasterwork.
As Mitch Owens commented on my Instagram feed, the curtains are somewhat skimpy -but I like the color they add to the spaces, keeping them from being too cold.
Chandeliers with little shades like this may be one of my favorite things -not sure why. I have them in my own dining room on a much less grand scale!
The small salon operates as a more private and intimate space and features a dining table, probably used by the family as a family room.
Each room naturally features a fireplace or two!
The dining room features an unusual Tudor plasterwork ceiling. I've never seen one with the design picked out in a dark paint but it really is a nice detail.
The original bronze hardware throughout the house is gorgeous.
The table was elegantly laid for a meal. Oddly though the dining room doesn't have a chandelier but is rather lit by lamps on all of the sideboard surrounding the room; Dining by candlelight.
Notice the scale of these rooms - that is a standard 7'-0" door. Also notice the decorative tape surrounding the grasscloth wallpaper.
The library on the ground level features a scenic wallpaper (Zuber?) and beautiful 2nd empire furnishings.
I loved the Egyptian influence in all of the furniture.
We were serenaded by an excellent jazz band.
I can't get enough of this wallpaper!  I've said it before and I'll say it again, sconces are the best lighting source for a room. They add beautiful detail and the quality of light is the most flattering.
I know this last picture isn't the best but I loved this clock and had to share it. I hope you enjoyed this little tour of John Russell Pope's Brazilian Embassy with my snapshots, it really made my weekend!