Design Post Update

While in Palm Springs I spent a few days outside of the 'city' at a newly renovated resort from the golden age of Hollywood, La Quinta.
Built in 1926 it was said to be as far from Hollywood as an actor in the studio system could travel while on call. And they did come; Garbo was a regular as was Gable.
Frank Capra spent many summers at the resort with his wife, writing scripts for many of his award winning movies including It happened one night (one of my favorites), Mr. Smith goes to Washington, and It's a Wonderful Life (which I can't stand).
While the Hollywood history is interesting, one comes for the weather and mountain views.
The rooms are all individual casitas interwoven through beautiful gardens and interesting public spaces.
41 swimming pools and 53 hot tubs make sure that everyone gets their own personal space with mountain views and plenty of sunshine.
I loved this pergola with climbing roses right outside of my casita. I'll have to go back to see it in full bloom!
Even though roses weren't in season, there were still plenty of fragrant hangers on to admire.
Beautiful architecture, luxurious gardens, swimming pools, and Palm Springs weather; the La Quinta Resort is wintertime heaven on earth to this weary Washingtonian!

Nestled against the Parc Monceau in the chic 8th arrondissement is one of the most famous house museums of Paris, the Musee Nissim de Camondo managed by the musee des arts decoratifs (see my posts on that wonderful museum adjacent to the Louvre at the link). I had always wanted to visit this storied house but never had a chance until my last visit -I shouldn't have waited!
The story of this most elegant house however is a very sad one.The count's son died during WWI and he donated the house and his collections to the Decorative Arts museum in his son's honor which opened to the public in 1935. A few years later the remainder of his family were murdered at Auschwitz.  This is therefore not a happy family home but rather has survived as a testament to the endurance of this generous public donation, securing the Camondo legacy.

 Above you are standing at the front door of the house looking through the offices to the street.
I love the continuity of Parisian architecture: the same warm 'french grays' and blue-gray trim prevail throughout the city lending a cohesion to the disparate building styles.
 Notice the interesting Greek key base on the lanterns which light the courtyard above.
The backyard is rather formal, but who needs a backyard when you have private access to the Park Monceau!
The parterre were still beautiful despite their autumnal lack of color. Imagine being the gardener responsible for keeping all of this gravel raked and weed-free!
One gets a sense of the level of detail to the limestone facade when looking out the windows on the 2nd, or private, floor.
 Notice the netting to keep birds from nesting on the statuary.  I am normally against any sort of graffiti but I can't help but admire what some 'artist' had done to the building's mailbox on the street facade!
Next I will post some of my highlights on the much-published interiors. You may also want to check out the fantastic book, "The Camondo Legacy" by Jean-Marie del Moral if you can find a copy.
 As always, images in this post are my own.

It's been one of those weeks where you just need a little pretty.  Luckily I have my penpal to supply me with beautiful photographs from his travels. One gem that caught my eye is the Teatro Municipal in Rio de Janiero, Brazil (which I can never think of without humming a little Fred Astaire, I love that song of his about Rio!).
The Opera house, designed by French architect Albert Guilbert, was heavily based on the Palais Garnier or Paris Opera House (See my post on that storied building HERE) and completed in 1909. A later addition to the concert hall dates to 1934 with an adjunct being added just 20 years ago.
 The grand staircase could almost be seen as an exact copy!
 Is it any wonder that anyone would want to copy this great, impressive building?
 The ceiling features a beautiful stained glass skylight.
Just as in Paris the top of the stair holds various gathering spaces for intermissions. They are slightly less ornate but no less grand.
 The similarities are so stunning that one expects to stop onto the balcony to view Paris!
 The stained glass is very much of the time of this theater though, 1909.
 Why do modern theaters lack this attention to detail?
 But lets step into the auditorium and see the main attraction.
Does anyone ever use these grand boxes which flank theater stages? I frequently see them and they're always empty!
The large seating capacity dates to the 1934 addition -still very similar to the Paris example only missing the ceiling by Chagall (see that in this post HERE).
Elsewhere in the building is this intriguingly eclectic space which I can only say seems very Brazilian to me which seems to operate as a banquet hall.
 Notice the bulls as column capitals.

 Elsewhere in the room column bases are no less unusual.
 Notice the intriguing tiling and sconces which also feature more bulls.
 I think this dose of pretty much wraps up the week for me, don't you agree?

On a note different from what I normally feature on this blog, I thought I would share some images from the recent exhibition on Hubert Givenchy at one of my favorite museums, El Museo de arte Thyssen-Bornemisza, in Madrid which my penpal kindly sent me.
Givenchy will forever be known for his relationship with celebrities, primary amongst them Audrey Hepburn, but also Jackie Kennedy Onassis, the Duchess of Windsor, and the list goes on.
I think these clothes appeal to me not only for the obvious reason, their beauty, but their architectural qualities and attention to detailing are astounding.
 The use of vivid color and black together also is architecturally appealing.
 Recognize Audrey Hepburn from Breakfast at Tiffany's above?
 Or Wallis Simpson, aka the Duchess of Windsor, in mourning here.
Or the Duchess again here in a striped gown. These clothes are iconic and a part of our culture; instantly recognizable.
Seeing some of these famous gowns in color, such as Jackie Kennedy's gown from the Paris opera, is a delightful surprise; cream and soft colors.
 Bridal beyond boring white....
 The details of this non-white wedding dress (emphasis on NO BORING WHITE) are amazing.
 I don't even know how one makes something such as this!
 Clothes make the woman or so one would believe based on the models below in the room entitled elegance and simplicity.
 Who needs jewelry with clothes as beautiful as these?
While many of these gowns are surely dated would 'Fashion Police' mock them on the red carpet I wonder? Does style such as this date?  Maybe the jackets.....
 but what jackets they are!
Givenchy is a master of color - unusual colors - and pairings that give life to one another.
 I'm sure the yellow/orange dress is difficult to wear but on the right woman....amazing.





 And don't forget the hats!
Thanks to Neil for sharing his images with us all. See more on the exhibit at the museum website HERE, which includes the program and an interactive video walk-through of the exhibition.