Design Post Update

I was thrilled to have lunch recently with one of my favorite bloggers, The Blue Remembered Hills, while he was traveling through DC. As so often happens when bloggers meet for the first time we began chatting at once like old friends and eventually the topic naturally veered towards design.
Both of us have 'pet peeves' with wordage, his being the incorrect use of the word couch instead of sofa (mine is the incorrect use of home vs. house). Above you see the famous couch of Madame Recamier.
The term sofa is what we normally are talking about, the article of furniture found in everyone's living room. It's not a 'formal' term or interchangeable with couch -they are DIFFERENT things. A couch is a specific term reserved for pieces of furniture on which one lies. I immediately thought of Madame Recamier, so well known for having been painted in repose by numerous artists.
While in the Louvre on my last visit I loved Madame Recamier's furniture made for her by Georges Jacob as well as 2 very well known paintings of her, in which she is lying on a couch.
 The rest of her furniture is really beautiful and I just had to have an excuse to post!
In the future think of Madame Recamier on her couch and the sofa you have at home; unless you have a fainting couch or daybed, well then that's another story!

This past Friday I spent the evening at the National Portrait Gallery; at least it felt like evening since it was dark the entire time(they're open until 7pm)
If you haven't visited you really must;it's one of my favorite museums in DC. Housed in the old Patent office building completed in 1840, the Greek Revival structure was the 3rd public building constructed in the United States.
The third floor is a stunning open space which was restored a number of years ago. When built it was the largest room in the United States! President Lincoln held his 2nd inaugural ball here.
The art is thoughtfully displayed throughout the structure to show off not only the art but take best advantage of the architecture.  Enfilades are carefully ended in works of art. Symmetry is key here and nothing is left to chance with a work's placement within the building.
Sometimes the shadows are more interesting than the work itself!
 I've always admired the settings and 'rooms' created around special works of art. The alcove above is decorated as if one were in a cemetery.
One of my favorite paintings in the museum is Spring Dance by Arthur Mathews from 1917 -but the frame is just as stunning as the picture.
 Sometimes a painting is more interesting when in conjunction with another work of art; contrast.
I'm not sure why Whistler's 'Valparaiso Harbor' is at the portrait gallery but I wasn't complaining -I spent a lot of time studying this painting!

Above is the courtyard of the Hotel Guenegaud, designed and built by Francois Mansart (father of the Mansard roof) between 1651 and 1655 in the heart of the ancient Marais district.
Much of the Hotel Guenegaud is sadly closed to the public however. The neighboring Hotel de Mongelas, which was extensively renovated and restored during the 2007 addition of the space to the museum, more than makes up for this closure.
The entrance into the museum is through the courtyard of the Mongelas which mixes the best of the old (built in the early 17th century although largely altered, possibly also by Mansart) with the best of the modern -much like the collection itself.
Like in much restrained Neoclassicim, the only ornament lies in the pediment which is highly sculptural.
 I love this shade of blue which contrasts so nicely with the limestone.
 The entry to the street features this pleasant face in the keystone.
Each room fronts onto the courtyard, much like a donut, with the primary rooms also facing the street with windows on 2 sides.
 The old if not original bronze window hardware is lovely, but more on that later.
 The collections are all over the map; dealing with animals and nature however loosely.
One could wander through these lovely rooms all day. Unlike many other museums in this city there are no crowds.
The rooms in the Hotel Guenegaud which are open to the public, on the 2nd level, were among the prettiest in the museum.
 I love these marble floors and these chairs, featuring embroidered hunting scenes, are fabulous.
I've been looking for LED picture lights just like this, I should have asked where they were from!
 No detail was overlooked -notice the trim on these curtains and those tiebacks!
Different contemporary artists exhibit works throughout the museum, mixed in with the collections. This artist had beautifully detailed works made of animal feathers scattered throughout the museum. Sadly I never caught their name.
This lacquered chinoiserie desk, the envy of most people reading this blog I'm sure (myself included), features a hunting scene as well as hoofed legs.
 Naturally (pun intended) there was plenty of taxidermy and other grisly animal carcasses to explore.
 This witty artist had made cans that featured endangered species, ala Warhol.
I loved this portrait of the Princess Beatriz de Borbon y Torlonia on her horse -one of many equestrian portraits.
One thing missing from the museum, which you could add to your own collection, is this amazing Porcelain Doll Head Cup with saucer at thestore.com. I like the black color best.
Notice anything about this electrified silver candelabra? The base is of a stag hunt, with grisly dogs.
 One of many contemporary exhibits was this bird car by Vincent Dubourg from 2006.
However the main 'exhibit' which impressed me the most was actually built into the building in the 2007 renovation. The artist Saint Clair Cemin produced all of the metal hardware (railings, door knobs, light fixtures, etc) which are to be found throughout the Hotel de Mongelas.
These wonderful bronze fittings were incredibly detailed -featuring textures such as bone or feathers which connect the building to the base of the collection.
Notice how the bronze door handles have a living finish and change (are polished) where handled daily by visitors.
 There must have been 100 of these lovely sconces lining the stairhall, each a work of art.
Notice again the living finish of the bronze -the way the detail gets polished over time as people rub against the railing .
 The end of the handrail is most striking.
 These panels at the top of the main stair double as guardrails.
This museum more than any other I've noticed goes to show that details matter: not just in the collection but in the building as a whole! On your next trip to Paris be sure to check out this gem, the Musee de la Chasse et de la Nature in the heart of the historic Marais.

Nestled against the Parc Monceau in the chic 8th arrondissement is one of the most famous house museums of Paris, the Musee Nissim de Camondo managed by the musee des arts decoratifs (see my posts on that wonderful museum adjacent to the Louvre at the link). I had always wanted to visit this storied house but never had a chance until my last visit -I shouldn't have waited!
The story of this most elegant house however is a very sad one.The count's son died during WWI and he donated the house and his collections to the Decorative Arts museum in his son's honor which opened to the public in 1935. A few years later the remainder of his family were murdered at Auschwitz.  This is therefore not a happy family home but rather has survived as a testament to the endurance of this generous public donation, securing the Camondo legacy.

 Above you are standing at the front door of the house looking through the offices to the street.
I love the continuity of Parisian architecture: the same warm 'french grays' and blue-gray trim prevail throughout the city lending a cohesion to the disparate building styles.
 Notice the interesting Greek key base on the lanterns which light the courtyard above.
The backyard is rather formal, but who needs a backyard when you have private access to the Park Monceau!
The parterre were still beautiful despite their autumnal lack of color. Imagine being the gardener responsible for keeping all of this gravel raked and weed-free!
One gets a sense of the level of detail to the limestone facade when looking out the windows on the 2nd, or private, floor.
 Notice the netting to keep birds from nesting on the statuary.  I am normally against any sort of graffiti but I can't help but admire what some 'artist' had done to the building's mailbox on the street facade!
Next I will post some of my highlights on the much-published interiors. You may also want to check out the fantastic book, "The Camondo Legacy" by Jean-Marie del Moral if you can find a copy.
 As always, images in this post are my own.