Design Post Update

Details matter. Details are what separate a mansion from a mcmansion, a generic box from a lovely structure, a house from a home. They need not be as ornate or historic as those at the Musee Nissim de Camondo in Paris but any good architect or designer will fill a home with lovely touches that will separate the wheat from the chaff.
The stairhall that I mentioned yesterday HERE features this lovely plaster painted to appear as limestone blocks. Notice how each individual block, separated by the thin white 'mortar' lines, is a slightly different tone of French gray? This adds depth and texture to the walls and adds to the illusion of real stone walls.
I warned there would be many light fixture photographs -here is one of them! These Classical gilded sconces line the stairhall.
The above image captures the curtains in the main salon and the boiserie. Notice the many different subtle shades of color picking out the detailing. Nothing high contrast mind you - subtle.
The boiserie in the dining room are also picked out in many colors. The color is softer in real life and less 'lettuce'.
 The relatively simple iron railing leading up to the private 2nd floor is probably my favorite.
 The perfect sconces line this intimate stair.
The interior halls on the 2nd floor which don't benefit from windows still are flooded with natural light from skylights. Notice how the chandelier is hung from the lay-light.
I love the worn finish on this simple door on the 2nd floor corridor with such elegant minimal hardware. Now you have to visit the museum yourself to pick out more lovely details to share!

The interiors of the Musee Nissim de Camondo are even more stunning than the exterior; see my post HERE. While efforts have been made to make the house feel as if members of the family had just walked out the room, the house reflects the collections gifted by the Count rather than how they actually lived. One imagines it was probably relatively similar though for such an avid and passionate collector.
One enters off the entry courtyard into a beautiful faux-stone stairhall. While the floors and stairs are marble, the walls are plaster molded and painted to appear as if limestone blocks.
The architect ingeniously laid out the L-shaped plan so that it flows seamlessly without any hard corners in the hallways.
Lighting is so important and this house proves the point. The lower level is glamorously lit, the ground level nicely lit with beautiful fixtures, while the private floor is actually rather cozy and dimly task lit. You'll notice a lot of photos of light fixtures in my posts! This is a great historical house museum as no HIDEOUS recessed lighting has been installed, the bane of my existence -it should be limited to airports and bathrooms. But you didn't come here for my thoughts on recessed lighting.....
The kitchens are just beyond the entry on the ground level. One can almost feel the 'Downton Abbey' vibe - Mrs. Patmore must be just around the corner!
Efforts have been made to set the house up as for daily use -even the servant's dining hall table is set for a meal. Remember this photo to contrast with the family dining room upstairs.
Guests and family members were of course rarely, if ever, in the kitchen. One would ascend the stair into the gallery with views down to the entry courtyard.
A suite of rooms hosted guests with great flow for parties.  The Grand Salon was of course the main entertaining space.
Gilded boiserie, the best of the Count's 18th century furniture, and stunning views of the backyard and park from this raised level are featured in these rooms.
 These were public spaces to impress guests and show the stature of the Camondo family.
As the true mark of a collector, the house is not 'decorated'  per say; there are not matching suites of furniture but rather many different pieces of different woods and styles mingling together.
As with all great architecture, alignment is given to doors and windows to create lovely enfilades. No one fails to notice such thoughtful gestures in the design of buildings.
After the Grand Salon one is introduced to the Salon Huet, so named for the paintings by Jean-Baptiste Huet inset into the paneling.
One of my favorite rooms in the house is the dining room, featuring beautiful green painted boiserie.
The table is set for a meal displaying some of the large collection of the Count's 18th century china, silver, and crystal.
In order to better display parts of his collection a china cabinet or room was built adjacent to best display his most favorite services. He would often take private meals in this space overlooking the backyard.
Down the hallway is of course a more useful butler's pantry.
The gallery surrounds the public rooms which are all on the left.  The door at the end of the hallway leads into the dining room. The butler's pantry is just to the right. Notice how the dining room door doesn't fit the mirrored paneling in order to fit the antique boiserie found in the room. The architect didn't let that mess with the hall's symmetry!
 The niche adjacent to the main stair contains access to the private areas of the family.
One of the many things I like about old houses is the use of natural light. Staircases, hallways, bathrooms, and kitchens all feature good sized windows.
 At the top of the stairs is the private paneled family library.
After the Count's wife passed away he turned her bedroom into his private (colorful) sitting room -one of the most popular rooms on the tour.
 These two rooms feature the best views of the Parc Monceau.
 I could happily live in this room without changing a thing!
The bedrooms hold various parts of the collection but the most interesting thing to see are the bathrooms. While not entirely original they reflect the period atmosphere.
The count's son's bathroom was no less elegant and featured an odd assortment of various baths and basins for feet as well as other......items.  Please remember to visit this amazing house museum on your next visit to Paris!  Tomorrow I will feature some of my favorite details found throughout the house.